Waiting + A Contest

I’m beyond excited to get this book I’ve ordered online - The Selected Poetry of Rainer Maria Rilke. Now, these are the times when I can say I *so* love online shopping. This book isn’t available in local bookstores so I had to order from a seller abroad. The great thing is that the shipping cost (not expedited but with insurance) is very cheap, $3.99, compared with most other online stores. I’m kind of hoping I’ll get it in 7 days, which should be just about now, but I’m giving it another 7 days before I seriously get worried.  

For people who shop online, do you have any stories to share regarding your experiences? There’s a certain contest you might want to join. Just refer to this blog when you register.

 

[I Am, O Anxious One]

I am, O Anxious One. Don’t you hear my voice
surging forth with all my earthly feelings?
They yearn so high, that they have sprouted wings
and whitely fly in circles round your face.
My soul, dressed in silence, rises up
and stands alone before you: can’t you see?
don’t you know that my prayer is growing ripe
upon your vision as upon a tree?

If you are the dreamer, I am what you dream.
But when you want to wake, I am your wish,
and I grow strong with all magnificence
and turn myself into a star’s vast silence
above the strange and distant city, Time.

Rainer Maria Rilke
Translated from the German text by Stephen Mitchell

Elegy

O trees of life, O when are you wintering?

We are not unified. We have no instincts

like those of migratory birds. Useless, and late,

we force ourselves, suddenly, onto the wind,

and fall down to an indifferent lake.

We realise flowering and fading together.

And somewhere lions still roam. Never knowing,

as long as they have their splendour, of any weakness.

From the Fourth Elegy
Duino Elegies (Rainer Maria Rilke)
Translation by A.S. Kline

I Want…

I am too alone in the world, and yet not alone enough
to make every hour holy.
I am too small in the world, and yet not tiny enough
just to stand before you like a thing,
dark and shrewd.
I want my will, and I want to be with my will
as it moves towards deed;
and in those quiet, somehow hesitating times,
when something is approaching,
I want to be with those who are wise
or else alone.
I want always to be a mirror that reflects your whole being,
and never to be too blind or too old
to hold your heavy, swaying image.
I want to unfold.
Nowhere do I want to remain folded,
because where I am bent and folded, there I am lie.
And I want my meaning
true for you. I want to describe myself
like a painting that I studied
closely for a long, long time,
like a word I finally understood,
like the pitcher of water I use every day ,
like the face of my mother,
like a ship
that carried me
through the deadliest storm of all.

Ranier Maria Rilke

From The Book of Hours

Listen…

Have You Ever Tried To Enter the Long Black Branches

Have you ever tried to enter the long black branches
of other lives –
tried to imagine what the crisp fringes, full of honey,
hanging
from the branches of the young locust trees, in early morning,
feel like?

Do you think this world was only an entertainment for you?

Never to enter the sea and notice how the water divides
with perfect courtesy, to let you in!
Never to lie down on the grass, as though you were the grass!
Never to leap to the air as you open your wings over
the dark acorn of your heart!

No wonder we hear, in your mournful voice, the complaint
that something is missing from your life!

Who can open the door who does not reach for the latch?
Who can travel the miles who does not put one foot
in front of the other, all attentive to what presents itself
continually?
Who will behold the inner chamber who has not observed
with admiration, even with rapture, the outer stone?

Well, there is time left –
fields everywhere invite you into them.

And who will care, who will chide you if you wander away
from wherever you are, to look for your soul?

Quickly, then, get up, put on your coat, leave your desk!

To put one’s foot into the door of the grass, which is
the mystery, which is death as well as life, and
not be afraid!

To set one’s foot in the door of death, and be overcome
with amazement!

To sit down in front of the weeds, and imagine
god the ten-fingered, sailing out of his house of straw,
nodding this way and that way, to the flowers of the
present hour,
to the song falling out of the mockingbird’s pink mouth,
to the tippets of the honeysuckle, that have opened
in the night

To sit down, like a weed among weeds, and rustle in the wind!

Listen, are you breathing just a little, and calling it a life?

While the soul, after all, is only a window,
and the opening of the window no more difficult
than the wakening from a little sleep.

Only last week I went out among the thorns and said
to the wild roses:
deny me not,
but suffer my devotion.
Then, all afternoon, I sat among them. Maybe

I even heard a curl or tow of music, damp and rouge red,
hurrying from their stubby buds, from their delicate watery bodies.

For how long will you continue to listen to those dark shouters,
caution and prudence?
Fall in! Fall in!

A woman standing in the weeds.
A small boat flounders in the deep waves, and what’s coming next
is coming with its own heave and grace.

Meanwhile, once in a while, I have chanced, among the quick things,
upon the immutable.
What more could one ask?
And I would touch the faces of the daises,
and I would bow down
to think about it.

That was then, which hasn’t ended yet.
Now the sun begins to swing down. Under the peach-light,
I cross the fields and the dunes, I follow the ocean’s edge.
I climb, I backtrack.
I float.
I ramble my way home.

(Mary Oliver, West Wind: Poems and Prose Poems)

Wild Geese

I’ve shared this one in my other blog last year. One of my favorite modern poems.

You do not have to be good.

You do not have to walk on your knees

for a hundred miles through the desert repenting.

You only have to let the soft animal of your body

love what it loves.

Tell me about despair, yours, and I will tell you mine.

Meanwhile the world goes on.

Meanwhile the sun and the clear pebbles of the rain

are moving across the landscapes,

over the prairies and the deep trees,

the mountains and the rivers.

Meanwhile the wild geese, high in the clean blue air,

are heading home again.

Whoever you are, no matter how lonely,

the world offers itself to your imagination,

calls to you like the wild geese, harsh and exciting

over and over announcing your place

in the family of things.

from Dream Work by Mary Oliver

published by Atlantic Monthly Press

© Mary Oliver

Two Poems

He must remain, if not happy, at least unmoved by regret.

- from Valpariso

Because beauty is a lesson you learn when left to your own devices, under the Olympic sky that passes. Because beauty is defined not by scandal but by its lack of company.

- from The Idea of Helen

Nicole Krauss, the author of the best-selling book The History of Love, read two of her poems for The Paris Review in 2001. Before the publication of her earlier work, A Man Walks Into a Room, in her 20s, she wrote poetry because she felt that it is “the great goal of the language.” But then she quit writing poems because of what she described as “an impossible quest for poetic precision.”

Listening to the author read her own poems may not be the best introduction to her works, but the excerpt from her latest book, published as The Last Words on Earth, would be a great way to start.

Verses

“For verses are not, as people imagine, simply feelings (those one has early enough), -they are experiences. For the sake of a single verse, one must see many cities, men and things, one must know the animals, one must feel how the birds fly and know the gesture with which the little flowers open in the morning.” - Rainer Maria Rilke, Notebooks of Malte Laurids Brigge

And it was at that age … Poetry arrived
in search of me. I don’t know, I don’t know where
it came from, from winter or a river.
I don’t know how or when,
no they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.

I did not know what to say, my mouth
had no way
with names,
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire,
and I wrote the first faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating plantations,
shadow perforated,
riddled
with arrows, fire and flowers,
the winding night, the universe.

And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke loose on the wind.

Poetry

by Pablo Neruda

Sunset

Slowly the west reaches for clothes of new colors
which it passes to a row of ancient trees.
You look, and soon these two worlds both leave you
one part climbs toward heaven, one sinks to earth.

leaving you, not really belonging to either,
not so hopelessly dark as that house that is silent,
not so unswervingly given to the eternal as that thing
that turns to a star each night and climbs–

leaving you (it is impossible to untangle the threads)
your own life, timid and standing high and growing,
so that, sometimes blocked in, sometimes reaching out,
one moment your life is a stone in you, and the next, a star.

Rainer Maria Rilke

Something for the Lovelorn

A mighty pain to love it is
And ’tis a pain that pain to miss
But of all the pains, the greatest pain
It is to love but love in vain

-Abraham Cowley-

I don’t know how many people can relate to those simple verses. A million perhaps? A billion?

Not that I’m feeling particularly enamored with anyone or anything.

Actually, what happened was this: We’re moving to another, significantly downgraded, office space (cue violent reaction). I was arranging my stuff when i saw a post-it scribbled with these lines. It’s probably from a year or two ago.

I don’t know what made me write it down back then, but I find these lines simple and direct to the point. Also, it rhymes. I’m keeping it here for archiving.