Slayer Comma The: Look It Up
Note: This is another crossover post, with a few changes to accommodate two previously separate ones.
My introduction to Buffy the Vampire Slayer came about when I was searching for a new TV series to watch. Ok, that didn’t sound right because the show ended in 2003, so it wouldn’t fall to the category of “new.” Anyway, I realized I’ve been watching too much X-Files so I decided to shift my attention some place else. Now, I’ve never really considered myself to be a SciFi/fantasy nut; ironically, my favorite movies (Contact, Meet Joe Black) and TV shows (X-Files, Taken, and now BtVS) all go beyond the realistic. I wouldn’t overanalyze the “whys” mainly because I don’t think I can point it out exactly. But the unique thing is, although I enjoy the visual effects and story progression of this kind of presentation, I tend to focus more on the human aspects – the emotions, relationships, struggles, and parallels to real life. I guess maybe, for me, the “fantastic” provides a whole new layer of intensity in sending the message across compared with in-your-face representations like in reality TV or soap operas.
In retrospect, after having seen all seven seasons through DVDs and after having spent a lot of time in fan forums, nitpicking episode by episode, I realized that the main thing that this show had done for me is that it sort of expanded my world and inspired me to pursue the art of creative expression, in whatever way or form it comes my way. It introduced me to names of brilliant people who did, and continue to, show how a little concept can go a long way and also how talent is important but hard work cannot be taken out of the equation.
It wasn’t a perfect show. Beyond that, it is rife with heartbreak, pain, and those things that make you want to look away because they aren’t pretty. I’m not even talking about the vampires, demons, or those rubber-faced ghouls, but about the life of this sad little hero and her sad little friends (who are, ironically, effectively funny). Here’s a girl who didn’t choose to take responsibility; it was shoved into her throat when she wasn’t ready but she eventually learned to embrace her destiny. She’s not a superhero. She’s not without flaws – she makes mistakes, she hurts her friends, she hurts herself, she makes wrong decisions, and at times she’s even incredibly selfish. But she saved the world … a lot.
… a magical dramedy, a ripping thriller and the smartest work of girls-kick-ass feminism ever crafted by a pudgy guy who’s into comic books. Sarah Michelle Gellar nimbly handled the show’s undead allegories for coming-of-age conflicts (her stunt double nimbly handled the rest). And the show unspooled a rich mythology, realistic family and relationship stories and the best Sondheimian musical episode ever written for hour long television. The demons and ghouls were comically rubber-faced, but Buffy’s spirit was achingly real. – The 100 Best TV Shows of All-TIME.
What made the show famous are the snappy dialogues, tons of witticisms, double entendres, and metaphoric storytelling. What made it lasting is that it can drive a stake through your heart if you’ll let it. It even has powerful witches, loyal human friends, a supercool evil-turned-lovelorn vampire, and a hilarious bunny-phobic ex-demon trying to be a regular girl who all helped make The Slayer’s world all the more beguiling. You won’t find more compelling characters in women’s shoes than here.
P.S. If you’ve always been curious about this show but can’t get past the ridiculous title (like I was for years), I suggest you start with the last half of season 2 because that’s where it really took off. You can always go back to the introductions later.
